Bebe buell creem
And his direction, once merely unassuming, has grown gracefully assured. His gift for dialogue with sass and spine continues unabated. But Almost Famous is Crowe’s most personal film yet and - no almost about it - his best. Almost Famous, set in 1973, is loosely based on the formative years Crowe blissfully misspent road-tripping with the likes of Led Zeppelin, Yes and the Allman Brothers.Ĭrowe has mined the details of his life before, in Fast Times at Ridgemont High (book and screenplay) and in three previous films as writer and director: Say Anything (1989), Singles (1992) and the Oscar-nominated Jerry Maguire (1996). Crowe was only 15 when he deepened his voice to sound older on the phone and hustled an assignment from Rolling Stone. Rock journalist-turned-filmmaker Cameron Crowe, 43, is drawing on his own rock boyhood.
#BEBE BUELL CREEM MOVIE#
Not since A Hard Day’s Night has a movie caught the thrumming exuberance of going where the music takes you. Just don’t expect the dark side ( Gimme Shelter, Sid and Nancy). If you haven’t already sold your soul to rock & roll, Almost Famous should seal the deal.
^ This Teen Took Candid Photos of the 70s Biggest Rock Stars.^ Teenage paparazzi: The whippersnappers.^ An Interview With Brad Elterman Archived at the Wayback Machine.^ Life Lounge Magazine: Brad Elterman and the notorious Hollywood parties of the 70s and 80s Archived April 15, 2009, at the Wayback Machine.^ Paparazzo Brad Elterman takes the long view.Shot in Beverly Hills, California, Credited as Brad Elterman, Co-Owner of Buzz Foto His third book entitled Dog Dance was published by Damiani editor designed by Sandy Kim with a forward provided by Oliver Zahm. His photos appear in Purple magazine, Purple Diary, Dazed, and Interview.
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The book featured in L'Officiel France, Vogue Brazil, Rolling Stone Brazil, Rocking On Japan, Rolling Stone Japan, MOJO, Monster Children and Vice.Įlterman is continuing to work with fashion brands and to photograph figures from pop and rock culture, including Sunflower Bean, Shawn Mendes, Mac DeMarco, Connan Mockasin, and The Buttertones. įall 2010 saw the publication of Elterman's fine art coffee table book, Like It Was Yesterday published by Seventy Seven Press, LLC. I photographed backstage-those were the really exciting pictures that told a story those were the images that the magazines were craving. That's what all the other photographers at the time were doing, and I wasn't interested in those generic concert pictures. I wasn't a traditional rock 'n' roll photographer because I didn't give a shit about taking a photograph of someone holding a guitar. Įlterman describes his photography as focused on the "backstage" aspect of rock 'n' roll stars' lives: Some of the magazines, newspapers and other publications that he contributed to include Creem, Circus, Rolling Stone, People, Hit Parader, New York Post, National Enquirer, New Musical Express, and Melody Maker. He went on to photograph numerous bands and artists of the 1970s, including the Faces with Rod Stewart, David Bowie, Robert Plant, Sex Pistols, the Runaways, Bebe Buell, Kiss, Queen, Blondie, the Ramones, Bay City Rollers, ABBA, Boney M, Kenny Rogers, The Who, Leif Garrett, Michael Jackson, among others. He started his career at the age of 16 taking and selling a photo of Bob Dylan in concert in 1974.
#BEBE BUELL CREEM PROFESSIONAL#
Brad Elterman is a professional photographer from Beverly Hills, California, who addressed the rock 'n' roll lifestyle in Hollywood encompassing pop, punk and rock bands.